[음악이론] 예비음악교사를 위한 피아노 반주법

목차

머리말 / 3

Ⅰ. 반주법의 실제
1. 반주할 때 고려하여야 할 사항 ·······················································9
2. 반주의 실제 ··············································································23

 

Ⅱ. 반주법을 위한 기초 이론
1. 악곡의 구조적 이해 ····································································49
2. 화음의 선택과 연결 ····································································80
3. 리듬의 선택과 연결 ····································································89

 

Ⅲ. 반주법 실습
1. 홑박자 ····················································································126
2. 겹박자 ····················································································218

 

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Ⅲ 실습곡 목록

1. 홑박자

가. 2/4박자 
목장길따라,즐거운봄 나는새잡이,사냥꾼의합창 꽃구름속에 
숭어.
그대를사랑해 
사계, 크시코스의 우편마차, 하바네라 
숲의요들 
페르시아의 시장에서 
월계꽃 

나. 3/4박자 
무곡, 토셀리의 세레나데 
엄마야누나야 
언덕에서 
내가 좋아하는 것들. 스카보로의 추억 
보리수, 석굴암, 어머니의 마움. 
당신올사랑해요 
옛날은가고없어도 
춤추는소녀,종소리 
산유화,내사랑보니 
봄이오면 
세레나데(슈베르트)＼ 재즈 모음곡 2 번, 돌아오라 소렌토로. 

다. 4/4박자 
남촌, 음악에, 이제는 못 날으리. 희망의 나라로, over the rainbow 
검은고양이 네로 
사랑의 찬가\ 핀란디아 
고엽솔베이그의노래
비목, 생각해줘요, 오 내 사량 
그리운 금강산\ 아베 마리아 
내 맘의 강물\ 이재 17세, 임이 오시는지. 
금강에 살으리랏다, 떠나가는 배 
고향의노래 
청산에살리라\목련화 
강건너 봄이 오듯 
고향. 투우사의 노래. Fame 
침묵의소리 

마. 3/8박자 
여자의 마움, 축배의 노래 
산타루치아 

 

2. 겹박자

가. 6/8박자 
봄올기다림 
비브 라콤파니, 언덕 위의 집
산촌.
푸니쿨리 푸니쿨라, 들장미 
노래의 날개 위에, 오! 냐의 사랑하는 아버지\ 아 가을인가 맛있는음식들 
로렐라이
봄
동심초,뱃노래. 
산

나. 9/8박자 
사랑
봉숭아 

 

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예비 음악교사를 위한 피아노 반주법